UGG Online Outlet Beautiful background blur photography (zhuantie)

shooting data
EOS 50D EF 70-200mm f/2.8L IS USM
aperture priority auto exposure (F2.8, 1 / 800 秒)
Exposure compensation: +1 / 3EV ISO 100 < br> White balance: Auto
points
points selected as part of a bright background, and the large selection of virtual
more bright light to shine on the part of the background, giving the screen to avoid heavy impression. Note that the flatted evergreen, even if they are empty of the color will not look too beautiful. The photographer's background does not have to plant, you can also choose brightly colored walls.
use backlighting to produce high-light effect
hair to the photographer in the station when the location must be carefully try to figure out, select the appropriate location, make the hair appear glossy, looks very shiny. Once the hair look shiny, the photographer's face will give the audience a special impression. If the hair looks very dark, the overall picture will look darker, so photographers need to consciously enter the high light.
using reflectors to dark face became bright
reflectors can make effective use of the backlight due to brighten the dark face, the rich texture of the skin. In the portraits, in principle, should use the backlight or side light, not suitable for use will face significant shadows with the sunlight. So when shooting portraits outdoors reflectors must carry photographic tool.
arm in the composition can be cropped
sometimes the photographer's position will make some of their shoulder or in the composition outside the scope of the wrist, which will not be a problem. Instead, let the screen has changed and gives a feeling bold, so do not hesitate to shoot. If the force will be shooting all of those revenue picture, photos it will seem mediocre. Try it bold composition.
Tip 1 - Select a bright maximum aperture of the lens
Select bright lens bokeh photos taken the easiest way. Also, the focal length, the blur effect will be. This picture is the use of EF 70-200mm f/2.8L IS USM captured. It's bright aperture and focal length are suitable for shooting portraits.
Tip 2 - will automatically spin off
they use when shooting portraits vertical, so it should be Especially the vertical camera mounted on a tripod, then shoot, playback photo shoot automatically rotated 90 degrees will make it difficult for the confirmation screen, but the screen itself will be displayed too small, which need attention.
Tip 3 - The Picture Style is set to Portrait
If the subject is a woman or a child, it should change the photo style Select Will be slightly reddish in color on,UGG Online Outlet, color will appear more healthy.
Tip 4 - Proposed use of aperture priority AE
can freely determine the aperture value of the Aperture and background blur has a direct link, so it should not automatically change the aperture value using the shooting mode. In the
flexible use of telephoto lenses
bright blur the background emphasizes the photographer
no one would try to shoot with beautiful bokeh portrait photos. Here First, some background blur causes. Create virtual elements of the lens aperture size and focal length is the length. These two factors affect each other produce blur effects. Lens focal length must be, then the larger the aperture, the more obvious background blur effects. Fixed aperture, focal length, the background blur more obvious. From the conclusions, the maximum aperture of a bright and long focal length telephoto lens can bring the most obvious blur. This is a major was the photographer can emphasize and make clear and concise picture of photographic methods, both can be fully used for portrait photography can also be applied to other scenes of the shooting. However, the focus bokeh means that the range (depth) is narrow, probably because of subtle reasons for the failure to produce the phenomenon of focus. So use this technique when shooting portraits, you need to pay special attention to loss of focus. But without using a tripod when shooting handheld must be repeated multiple shots. Focus is not allowed to do the mental preparation as much as possible using the continuous shooting mode the shutter is released.
points as virtual background
ultra-telephoto lens for the photographer to capture a substantial body portrait blur the background. If you just take over the face and chest, close-up portrait, then the use of short focal length lens aperture fully open in the background when they can get more blur photos. However, when shooting full-length portraits, blur the background need to use more than the lens focal length 300mm.
considering the balance with the background color
should be taken as much as possible on the head in the background color of the bright part, this is the photographer's hair and the background will not be mixed. Note that, if there is noticeable background pattern or repeating patterns, will be shooting themselves lose their attention, and distracting background. Also need to make sure the photographer who photographed the dark part of the face or look around without annoying billboards, etc., then the decision was taken by location.
the photographer's eye should have a look at the composition of light
even those who appear to be shooting smaller, should also ensure that there is light to illuminate the face. In particular, to ensure that their eyes have a more significant reflection (light eyes). If the eye is not reflective, it will become dull eyes dim, it is difficult to understand the photographer's facial expressions. Shooting shooting close-up portraits and the body as it was when the eyes light is very important.
not all blur the background, reflects a certain sense of perspective
blur the background, after all difficult to reflect the sense of perspective. In the figure above, the sidewalk was the photographer of flowers and trees and was head of the photographer in the same plane in focus, which emphasizes being taken out of context and contrast. One of the main points of the body portraits is by controlling the nominal and are not part of the imaginary part to cleverly show the photographer's sense of perspective and background.